En torno al concepto de obra artística perfecta: una definición y sus implicaciones
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Abstract
Two facts are formulated concerning our appreciations of artworks. I then propose a definition of perfect artworks, which is in line with these facts. I imagine a potential objection to the definition and I conjecture a necessary condition for something to be artistic, which allows the objection to be avoided. Finally, we note that this condition establishes certain limits to minimalism in art.
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References
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